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[...]
“Education and spreading of internet, people, capital, and raw materials, is slowly depriving us
of our former impressive advantages. The world experiences the first generation of universal
teenagers (also called global teens by others) who know the same music, art, dance, language,
vacation spots, literature, and I-want-my-MTV! They sweep and flow around the world - just like
information, capital, labor, and raw materials. It is becoming more and more possible to
manufacture market and move anything anywhere anytime. But every combination of these capabilities
begins with an idea. And these ideas can now come from anyone anywhere anytime and go everywhere
anytime. In the future economic disadvantages, mistakes, misses, will come about because you were
asleep in the wrong time zone! (How about an idea alarm clock that goes off the moment something
that matches your interests and abilities hits the world network?”
[...]
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[...]
“The origin of Japanese folk toys probably goes back to magical and superstitious practices, a
supposition borne out by the fact that in the earliest art of Japan dolls are found which were
thought to house ancestral spirits or deities and, therefore, were believed to have magical
powers. Many traditional dolls, such as the hina dolls, are frequently associated with an annual
event or local festival; and even today there are provincial places which produce dolls of straw,
bamboo, or clay which are regarded as dwelling places for the deity of the soil or the spirit of
the local shrine or festival. Other dolls were thought to afford a means of purification. An old
document from the Heian period, for example, cites that a large straw doll was set out whenever
the plague prevailed”
[...]
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[...]
“Black ink is applied delicately on the buff and textured paper. The paper reminds me of brown
paper bags for lunch, but lighter. It also appeared to have the same smooth yet fuzzy texture
to it. The brush strokes consist of mostly horizontal motions. The strokes are rather equal
with each other. All the lines are haphazard looking but also contained and precise. I have
almost a coloring book style to it, but the lines aren’t quite cookie cutter all the way around.
There’s no real shading, mostly bolder lines on one side to suggest shadows and a light source.
There are a few lighter bamboo thickets in the background on the opposite side of the river.
Above that there are some light gray washed mountains giving a nice skyline. The line weights
also suggest the roughness of the rocks and the mountains, as well as the texture of the bark
on the trees.”
[...]
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